{"id":9859,"date":"2019-08-24T08:24:30","date_gmt":"2019-08-24T07:24:30","guid":{"rendered":"http:\/\/lafilledecorinthe.com\/wordpress\/?p=9859"},"modified":"2025-11-29T13:01:35","modified_gmt":"2025-11-29T12:01:35","slug":"wright-morris-a-la-fondation-henri-cartier-bresson","status":"publish","type":"post","link":"https:\/\/lafilledecorinthe.com\/wordpress\/2019\/08\/wright-morris-a-la-fondation-henri-cartier-bresson\/","title":{"rendered":"Wright Morris \u00e0 la Fondation Henri Cartier-Bresson"},"content":{"rendered":"\n

Vide pour la plupart de toute pr\u00e9sence humaine, les photographies de Wrigt Morris sont \u00e9trangement tr\u00e8s habit\u00e9es. Il pose son regard sur de simples constructions en bois et donne une pr\u00e9sence forte aux objets domestiques. L’exposition que lui consacre la fondation Henri Cartier-Bresson r\u00e9v\u00e8le trois romans de ce \u00ab\u00a0photographe-\u00e9crivain\u00a0\u00bb : The Inhabitants<\/em>, The Home Place<\/em> et God’s Country and My People<\/em>.<\/p>\n\n\n

\n
\"The<\/a>
The Inhabitants, 1946<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"The<\/a>
The Home Place, 1946<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00ab\u00a0Ici on s’use, les hommes et les femmes s’usent, les maisons et les hangars, les machines s’usent, et tous les dix ans, on remplace l’assise du fauteuil cann\u00e9.\u00a0\u00bb<\/em><\/p>\n\n\n

\n
\"God\"<\/a>
God’s Country and My People, 1968<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00ab\u00a0La derni\u00e8re fois que j’ai vu Oncle Dwight, je l’ai questionn\u00e9 sur ma m\u00e8re. Je savais que j’avais ses yeux et sa volont\u00e9 obstin\u00e9e. Si elle avait v\u00e9cu, ma vie aurait \u00e9t\u00e9 diff\u00e9rente, aucun doute l\u00e0-dessus. C’\u00e9tait une pionni\u00e8re, la premi\u00e8re de sa tribu \u00e0 tenter de d\u00e9crocher la lune.\u00a0\u00bb<\/em><\/p>\n\n\n\n

R\u00e9alit\u00e9 et fiction raisonnent au-del\u00e0 des associations cr\u00e9\u00e9es par Wright Morris.                    Ses photographies m’invitent dans les coulisses de films mythiques telles des photos de d\u00e9cors ou d’accessoires abandonn\u00e9s.<\/p>\n\n\n

\n
\"ferme
Une ferme en Hiver, Nebraska, 1941<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"la<\/a>
La ru\u00e9e vers l’or, Chaplin, 1925-1941<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"Model<\/a>
Model T, Chez l’oncle Ed, Nebraska, 1947<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"CBowers\"<\/a>
Pour \u00e9pater les poules, Charley Bowers, 1925<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"barbier\"<\/a>
Chez le barbier Eddie Cahow, Nebrasca, 1947<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"my<\/a>
La poursuite infernale (My Darling Clementine), John Ford, 1946<\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Vide pour la plupart de toute pr\u00e9sence humaine, les photographies de Wrigt Morris sont \u00e9trangement tr\u00e8s habit\u00e9es. Il pose son regard sur de simples constructions en bois et donne une pr\u00e9sence forte aux objets domestiques. L’exposition que lui consacre la fondation Henri Cartier-Bresson r\u00e9v\u00e8le trois romans de ce \u00ab\u00a0photographe-\u00e9crivain\u00a0\u00bb : The Inhabitants, The Home Place et God’s Country and…<\/p>\n","protected":false},"author":2,"featured_media":9860,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[6,14,13],"tags":[1841,1843,1840,331,1839,1842,1838,1714,1837],"class_list":["post-9859","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-decouvertes-artistes","category-sorties-culturelles","tag-1925-barbier-chez-le-barbier-eddie-cahow","tag-1947-my-darling-clementine-la-poursuite-infernale","tag-charley-bowers","tag-fondation-henri-cartier-bresson","tag-la-ruee-vers-lor","tag-nebrasca","tag-photographe-ecrivain","tag-pour-epater-les-poules","tag-wright-morris"],"_links":{"self":[{"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/posts\/9859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/comments?post=9859"}],"version-history":[{"count":10,"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/posts\/9859\/revisions"}],"predecessor-version":[{"id":14290,"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/posts\/9859\/revisions\/14290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/media\/9860"}],"wp:attachment":[{"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/media?parent=9859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/categories?post=9859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lafilledecorinthe.com\/wordpress\/wp-json\/wp\/v2\/tags?post=9859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}